The rates of the main daily and weekly performers under this Agreement shall be set at 35% of the scale of the Basic Agreement. Due to the size and influence of the union, most major media companies have a collective agreement with SAG-AFTRA through the Association of Motion Picture and Television Producers (AMPTP). These include studios, production companies, commercial production houses, and even individual producers. Manufacturers and undertakings which sign a contract or agreement with the Union in their field of competence shall be referred to as `signatories`. The Moderate Low Budget Project Agreement (MPA) covers non-episodic content productions with a budget between $300,000 and $700,000, shot entirely in the United States. The contract must be concluded by performers at least one week before each work. The MPA applies to films originally published in one of the following films, but a first publication in one of the following three is not necessary: SAG-AFTRA television agreements are based on the type of content, media and, in some cases, budget. For example, shows that go directly to a streaming service (like Netflix) and have a budget of less than a million can be covered by the new media deal, but the SAG-AFTRA TV deal applies to all shows on that budget, even if they go directly to streaming. SAG-AFTRA divides TV contracts into four categories: under this agreement, signatories are contractually obliged to work with sag-AFTRA`s main players and up to a maximum of 30 for the background. For tv work, residues begin as soon as a show is rebroadcast or published on video/DVD, pay TV, broadcast TV, basic cable or new media.
Residents are based on a gross receipt formula for all episodes of free TV series. Core actors are not entitled to delays for work carried out under the SAG-AFTRA basic and television agreements, unless the substantive actor is classified as an “actor”. If he is still talking about five lines or less, the remaining program fee is five lines or less. If the background actor is reclassified elsewhere in the Performer category, the program fee for residual purposes is the Principal Performer program fee. Unlike other agreements concluded by the signatories, the New Media Agreement does not require a minimum remuneration. Initial compensation is fully negotiable under the SAG-AFTRA New Media agreement for productions that do not meet the high budget threshold. While there are no minimum requirements under the agreement, there are local, state, and federal minimum wage laws that must be met, as they are still in effect. .
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